Archive for the ‘WSB’ Category

The shallow end of the pool

I was all set to boldly urge a little jail time for the news director at WSB-TV.  The contention would have been that the TV station flagrantly violated a court order Friday March 29, the day the Fulton County grand jury indicted 35 people in connection with the Atlanta Public Schools cheating scandal.

This was the violation:  WSB’s exclusive use of court-ordered pool video in its newscast without first distributing the video to the other Atlanta TV stations who were part of the pool.

The blurry images of WSB's pool photog, WAGA's Justin Gray, WXIA's Donna Lowry and WGCL's

The blurry images of WSB’s pool photog, WAGA’s Justin Gray, WXIA’s Donna Lowry, WGCL’s Sonia Moghe, WSB radio’s Pete Combs, and WXIA’s Blayne Alexander

The video was short but significant.  It showed a Fulton County sheriff’s deputy walking out the door of the district attorney’s office, carrying a hundred-or-so page indictment.  He then exited the DA’s lobby and headed to the courtroom of Superior Court judge T. Jackson Bedford, who was due to give the indictment his blessing before it would get certified by the court clerk.  The video — and a news conference a few minutes later — culminated a three-day stakeout of the grand jury.

Per an order issued by Judge Bedford under Rule 22 of the Electronic and Photographic News Coverage of Judicial Proceedings in the Uniform Superior Court Rules, WSB was named as the pool camera in the stakeout.  This meant the video belonged to all the TV stations present at the stakeout.

I’ll again note the absurdity of using Rule 22 to cover a stakeout in an office lobby; Rule 22 covers “official court proceedings,” but the Fulton County sheriff and courts have broadened it so that a Rule 22 form, signed by a judge, is required almost anytime a commercial TV camera enters the Fulton County Courthouse.   Since I’m not calling for the jailing of WSB’s news director for violating Rule 22, I’ll gently avoid demanding an adjoining cell for Sheriff Ted Jackson for abusing the rule.

Back to the video of the deputy carrying the indictment:

Reps from all three of WSB’s TV competitors watched WSB’s pool photographer shoot it.  I shot a perfectly lousy Iphone photo of it at 4:57pm.

The only station that matters

The only station that matters, apparently

WSB aired the video at 5:31, perhaps even earlier.

A few minutes later, a WXIA producer asked me about the video she’d seen on WSB.  “You don’t already have it?” I asked her.

Oopsie!  Golly, did we forget to distribute the video to the TV stations who don’t call themselves “the number one news team in America”?

Actually, WSB didn’t overlook it.  WXIA’s desk made repeated calls to WSB to distribute the video.  WSB’s desk apparently questioned whether the video was pool video, then dragged its feet getting the right  answer.  The station finally distributed the video well after 7pm, when most early evening newscasts were done.

Rule 22 states that “approval … shall be granted without partiality or preference to any person, news agency, or type of electronic or photographic coverage…”  In this instance, WSB clearly exercised “partiality” to itself by failing to distribute the pool video before airing it.

WSB's exclusive pool video

WSB’s exclusive pool video

Rule 22 does not set out how pool video will be distributed.  “Photographers, electronic reporters and technicians shall be expected to arrange among themselves pooled coverage…”  TV stations don’t “arrange” pool coverage on a case-by-case basis.  Instead, they rely on a sensible and time-honored arrangement:  Until the pool station distributes its video, the station that shoots it can’t broadcast it.

It presumes that TV stations can behave honorably and not like children.  This isn’t as hilarious as it sounds.  Every pool photographer I’ve worked with at WXIA and WAGA honored the principle that pool video could not air on the pool camera’s station until after every station received it.  WSB photogs also reliably honor that tradition.

Somehow, WSB decided to be dishonorable Friday, ignoring the “no partiality” clause in Rule 22.  And ignoring the what goes around, comes around concept that really drives the rules behind pool video.  All for a 15 second shot.

Superior Court Judge Jackson Bedford

Superior Court Judge Jackson Bedford

It would make perfect sense for Judge Bedford to hold a hearing and demand an explanation from WSB’s news director.   Bedford is a tough guy, especially with the news media.  He can be a bit scary when he’s angry.  A hearing would likely deter such behavior going forward.

However, Fulton County’s courts are pretty clogged with serious criminal cases.  And another Superior Court judge tells me that jail time — even a few hours in a holding cell, like the one that held Beverly Hall — is unlikely in a civil contempt case.  So, I wouldn’t ask Bedford to spend his valuable time on this.

Which leaves us with the concept of honor.  Or the lack thereof at WSB.

Grand questions

Outside the courthouse Friday.  Photo by Millie.  Thanks Millie!

Outside the courthouse Friday. Photo by Millie. Thanks Millie!

I spent much of the last week producing stories about the Fulton County grand jury’s pending indictment of Atlanta Public Schools employees connected with the cheating scandal.  It was exhilarating, maddening and — like most stakeouts– unproductive most of the time.  I came away with many questions that I can’t really properly answer.

Was a daily drumbeat of coverage really necessary?  Once you report that the grand jury is considering indictments, is it necessary to stake out the lobby of the district attorney’s office for three straight days to see who walks by?

Enterprise stories on the scandal are always a good thing; done in conjunction with the grand jury activity, such stories are timely.  But the stakeout — of a secret proceeding, wherein most of the players are whisked in and out via secure and unseen entrances and exits — gives the audience the appearance of covering news, rather than actually covering it.

In the DA's lobby.  Luis, the WSB photog, shot pool for all the Atlanta stations.

In the DA’s lobby. Luis, the WSB photog, shot pool for all the Atlanta stations.

Does it really take nine reporters to cover the details of an indictment?  WSB tweeted its staffing Friday afternoon.  WXIA had an even larger proportion of its staff covering the story.  It was great fun to see everybody, by the way.  But really.  Really?

Isn’t it time somebody called WSB on its frequent assertions that it breaks certain stories when they are, in fact, broken elsewhere? “All the stations do it,” suggested a WSB employee, as the topic arose during the tedium of the three-day stakeout.  Maybe, but WSB is easily the market leader in casually assuming, incorrectly, that they’ve broken a story.

Must there be so much social media?   If you follow commercial news media folk, you can expect your Twitter feed to be clogged with trivialities–  though every now and then, you may actually learn something.

WXIA's Blayne Alexander explains the finer points of the Insta-Grahams to her granddad

WXIA’s Blayne Alexander explains the finer points of the Insta-Grahams to her granddad

 

Is a court order really necessary just to get a TV camera into the Fulton County courthouse?  To shoot pictures in the DA’s lobby?  To shoot a news conference?  Obviously, a court may issue an order on a courtroom camera providing pool coverage of court proceedings.  But it’s ridiculous that the sheriff has instructed courthouse deputies to bar cameras in this public building without a court order.

What about Brian Nichols? I hear you asking.  Nichols, a criminal defendant, shot and killed three employees in the Fulton County courthouse.  Perhaps the sheriff has ramped up security surrounding defendants in custody.  One certainly hopes so.

But the metal detector security at the main entrances is exactly the same as it was pre-Nichols.  The only noticeable procedural difference in security, to me, is the hard line taken against TV cameras.  Which seems to me not one bit related to any real security issue at this courthouse.

AJC photo

AJC photo

If you’ve known for days that you were planning to ask a grand jury to make high-profile indictments, wouldn’t you have a plan in place to actually announce the indictments to the news media?  And wouldn’t you share that plan, as a professional courtesy,  just so that the media can handle deadline logistics?

In other words:  If you’re a big time DA’s office, why is the answer “I don’t know” to three days worth of questions about how the completed indictment will actually be disseminated?  And why are the photogs covering the newser told to move, in thirty minutes time, from the third floor, to the seventh floor, then back to the third floor, then back to the seventh floor?

Lastly:  Is there any question now that grand juries are merely rubber stamps to the desires of prosecutors?  How far in advance of the grand jury’s blessing did the DA have two giant graphics produced for the news conference — one of which read “one indictment, 65 counts, 35 defendants”?

These are my questions.  Thank you.

Ten questions

Why do TV stations design news vehicles– live trucks, “storm trackers,” satellite trucks — without first consulting the personnel who will actually have to use them?

Why do some apparently-reasonable public officials hire sneering, useless or sometimes just insane public information officers?314778_10151352680768820_1929651730_n

Why are separate credentials required to cover the Georgia House and the Georgia Senate?

When people outside the state Capitol ask to see a “press credential,” do they have any idea what they’re actually looking for?

Why can’t news channels discontinue the constant “ticker” at the bottom of the screen, which began with 9/11 and never went away?

Why must local news stations put up an ever-present lower-third graphic describing the story the viewer is presumably watching?

Why does the Georgia Senate have a press office?

As TV news technology has improved, why is using it so much more complicated?

How long can local TV continue to cry wolf over “dangerous” weather before viewers finally catch on and tune us out?

Would somebody please inform WSB’s viewers that Monica is gone?  They can watch the other stations now.

Dodgeball

Here’s a word of advice for members of the state legislature:  Want to make yourself look as bad as possible?  Then dodge that TV reporter trying to ask you questions.

Doug (left) with Rep. Douglas

Doug (left) with Rep. Douglas

Example:  Rep. Demetrius Douglas (D-Stockbridge), who had accepted, from a registered lobbyist, a pair of pricey tickets for a Falcons playoff game.  The game was played the night before the freshman rep was sworn in.  Because a state-required disclosure showed he took the tickets before he took the oath of office, I judged this to be a bit of trough-feeding worth highlighting.

Another freshman, Rep. Ronnie Mabra (D-Fayetteville), did the exact same thing.  Accepting such gifts is legal, somewhat commonplace and arguably outrageous.  I’d never heard of a legislators-elect accepting gifts prior to getting sworn in, however.

I spotted Douglas at the Capitol Monday.  As he walked past our camera, I identified myself and asked him to stop and answer a question about the game and the tickets.   I told him the topic before I asked questions, giving him a chance to compose himself and formulate an answer.  But the camera was rolling.

Douglas chose to skulk off instead.  It was not attractive.  Undoubtedly our viewers, like my bosses, were amused.

Mabra was more complicated.  I found him in his office.  We talked off-camera at length.  Mabra came up with some amusing reasons he didn’t want to do an on-camera interview:  He needed to get approval from “the leadership” first.  He had to be someplace else.  He needed to shave first.

We waited outside the building, and Mabra conveniently exited.  I approached.  We rolled.  He talked.  To his credit, he hung in there until I’d run out of questions.

Bring me the head of Sen. Bill Heath (R-Bremen)!

The scalp of Sen. Bill Heath (R-Bremen)

The guy who should know better is Sen. Bill Heath (R-Bremen).  Unlike Mabra and Douglas, Heath has been around the Capitol a few years.  Heath is the Republican who unseated legendary House Speaker Tom Murphy (D-Bremen).

Lori Geary wanted to talk to Heath about some snarky responses he sent to people emailing him with complaints about the cushy job given to a former state senator at Georgia Public Broadcasting.  Geary probably asked him politely first, and realized he wasn’t going to submit easily to an on-camera chat.

She saw Heath exit the Senate chamber and went into chase mode.  Heath ducked into an office and literally went into hiding.  Geary’s video, apparently shot through the door, amusingly shows a thatch of Heath’s hair tucked behind a copier.

It was not attractive, and it got way more attention than it would have if Heath had simply manned-up and answered Geary’s questions like a grownup.  Geary’s viewers, and bosses, were undoubtedly tickled by what they saw.

It’s your choice, ladies and gentlemen.  Do you want to look ridiculous or not?  We’ll do our stories, one way or the other.

Changing the question

For much of the last month, I’ve produced a steady drumbeat of stories about the project to build a new football stadium.   The story — and the project — is intriguing.  It seemed audacious to suggest the Georgia Dome was obsolete.  I’ve been in Atlanta 27 years, and went to a couple of Falcons games at Atlanta-Fulton County stadium.  The Georgia Dome still seems “new” to me.

Atlanta Fulton County Stadium

Atlanta Fulton County Stadium

Once you get past that, and once you accept that Falcons owner Arthur Blank is talking seriously about building his own open-air stadium in the suburbs if the state doesn’t help him replace the Dome (and many think Blank is bluffing), then the arguments to not not build the project become compelling.

  • If the Falcons leave, the Dome loses its biggest tenant and much of its revenue stream;
  • The stadium is an essential selling point for the Georgia World Congress Center, one of the world’s premier convention facilities;
  • Conventions — including stadium events — are the lifeblood of Atlanta’s tourism business, a huge moneymaker;
  • Blank wants to contribute $700 million to the project, giving the state and the Falcons a billion dollar stadium in exchange for a $300 million tax contribution, plus the cost of city infrastructure improvements;
  • If Blank builds another stadium, it would essentially become a competitor to the Dome;
  • The Dome without an NFL franchise quickly becomes the Astrodome, an aging and pathetic white elephant hosting tractor pulls and motocross, while requiring gobs of state money for upkeep.
The Astrodome is the giant relic next to Reliant Stadium, where the Houston Texans play football.

The Astrodome is the giant relic next to Reliant Stadium, where the Houston Texans play football.

This mostly puts aside the politics of contributing hotel-motel tax money.  The hotel-motel tax, paid by visitors to Atlanta, is specifically dedicated to the World Congress Center and a few other entities.  Yet it’s still tax money.  The legislature could pass a bill to put it in the state’s general fund and spend it on transportation, teacher salaries or something else.

Two days before Gov. Deal asked the Falcons to reshape its proposal– asking to reduce the hotel-motel tax contribution to the project from $300 million to $200 million — 11Alive conducted a poll on the stadium question.  The response arguably shifted the debate, showing less public opposition to the project than suggested by previous polls.

An 11Alive poll conducted in February 2012 showed 74% of Georgians opposed public funding for a new stadium.  The survey generically asked about “using tax dollars to pay for a portion” of the project.

A Cox poll conducted of “metro Atlanta residents” in December asks “do you favor hotel/motel tax providing $300 million our of (sic) $1.1 billion in funding?”  There was a similar Cox poll in January (though it’s apparently impossible to find the actual poll data in AJC and WSB stories).  Both put opposition at 67 – 73 percent.

The 11Alive News poll question, which I wrote,  actually explained the hotel-motel tax, saying  “the hotel-motel tax is collected from visitors to Atlanta paying for hotel rooms, and was used to build the Georgia Dome.”  It lacked snappy brevity, I’ll admit.

The Georgia Dome, possibly the most unimaginatively named stadium in America.

The Georgia Dome, possibly the most unimaginatively named stadium in America.

Countless people had told me they didn’t understand the funding for the stadium.  They assumed the stadium project would compete, in the traditional sense,  for funding for  other state programs.  Neutral lawmakers and backers of the project likewise griped that plain folks didn’t understand the funding scheme.

So I changed the question, sacrificing brevity for a bit of context.  The results showed strong opposition, but that it settled closer to 50-50 than 70-30.

Some commenters on Peach Pundit suggested that I’d skewed the question to bump the approval rating.  I would argue that we changed the question to account for Georgians’ well-known anti-tax tendencies, and to see if the type of tax involved actually matters.  Though there’s much truth to the argument that a tax is a tax is a tax, the respondents in our poll had ample opportunity to apply that position to the more-contextual question.

Until this poll, I’d been among the many reporters who routinely characterized the stadium project as being wildly unpopular among voters.  Now I’ll have to find a more contextual phrase to describe it.

It’s my own damned fault.

Eyes and ears

I had intended to write another annoyed rant about the news media’s use of the word “shooter” to describe a cold blooded killer, but the topic seemed inadequate to the Connecticut school massacre story.  I realized this especially after reading a raw and eloquent Facebook post by one of Atlanta’s best TV reporters, WSB’s Jodie Fleischer.  I can’t really top it.  It’s reposted below in its entirety.

Jodie Fleischer, WSB

Jodie Fleischer, WSB

I am a reporter and a human being. Just like the hundreds of reporters and photographers and producers who are covering this story, we are all crying, inside and out.

We do not show pictures of people grieving to make more money or because it gives us some sort of thrill. We do it because it’s our job to be the eyes and ears for the rest of you. Those images, as horrific as they are for you to see, are even worse in person. Trust me, the devastating images on tv never fully depict what we really see. Yes, sometimes we have to put aside that emotion to do our jobs without looking like bumbling idiots on tv.

Sometimes we just can’t.

In the past 3 days, I’ve seen dozens of Facebook posts criticizing ‘the media’ for not being emotional enough, or for being too emotional showing reporters’ interactions with these grieving families. I’ve seen posts criticizing reporters for interviewing children, who were the majority of the witnesses to this tragedy. Their parents likely made the decision to allow that, because they recognize that the world needs to feel what their children felt.

Reporters are not ‘vultures’ chasing down parents for sport. I have the utmost respect for Emilie Parker’s father for choosing to speak about his beautiful daughter and wanting everyone to know more than just her name.

If you don’t want to see and hear what happened in Connecticut, from the people who lived it, turn off your television. But for the rest of us who can’t stop watching, let’s please allow this to be a platform for meaningful discussions about mental health, guns, and humanity, not opinionated ranting about one political view or another.

I just don’t understand how any rational person could think a deranged lunatic would shoot a bunch of 6 year olds just to get his name in the news. I’m guessing there were other problems in his life, problems that exist for countless others whom we all encounter every day.

Yes, those images my colleagues are sending into your homes are hard to see. They are uncomfortable and disturbing and heartbreaking. I hope we all become better people for recognizing that.

You choose the lead

Just when you thought the news media was a monolithic entity working in lockstep to exploit advertisers of geriatric medical supplies and to destroy America, there comes this refreshing nugget from the local news in Atlanta GA:

From the AJC

From the AJC

Andrea Sneiderman, the accused master criminal / seductress who, prosecutors say, manipulated one would-be paramour to kill her husband so she could get with another paramour, filed a legal brief last week.  It wasn’t a huge story, but it was significant enough to warrant coverage in the ongoing Sneiderman saga. And varying news organizations chose to stress various aspects of the brief.

It helped that her attorney used an abundance of colorful language to debunk what he called the prosecution’s “fantastical” theory behind Mrs. Sneiderman’s alleged crime.  There was a lot from which to choose.

“Civil attorneys spar over Sneiderman’s love life” was the headline on the AJC’s web site.  Christian Boone wrote the piece, whose first quote was that the accusations against Mrs. Sneiderman were “rife with false allegations.”

Newspaper reporters used to always disclaim the headlines of stories that appeared in print.  Newspaper headlines were, and presumably still are, written by specialists who combined typeface options and sizes to fit the available space above the story.  Some of them are damned clever.  “Ford to City:  Drop Dead” and “Headless Woman in Topless Bar” were much more memorable than the stories that followed.

Joseph Dell with Andrea Sneiderman.  From 11Alive.com

Joseph Dell with Andrea Sneiderman. From 11Alive.com

When I put a story on 11alive.com, I always write the headline.  Though we have a whole pod full of web specialists, the web lacks the space-and-size restrictions that old-school newspaper headline writers deal with.  So reporters write online headlines.  Mine are usually too wordy.

I don’t know if Boone wrote the Sneiderman headline, which was nonetheless catchy and accurate.

On WSB-TV’s site, Mike Petchenik’s piece appears under the headline “Sneiderman denies claims involving 3rd man.”

At WGCL, Renee Starzyk’s headline was an eye-grabber:  “New motions reveal details in Andrea Sneiderman love affair.”  She declined to quote from the brief, however, and instead quoted extensively (as did Petchenik) from an interview with attorney Ken Hodges.  This is the first time I’ve heard of Mrs. Sneiderman’s relationship with Joseph Dell referred to as a “love affair,” a characterization I have thus far avoided.

My story on 11alive.com dipped into the back pages of the brief for a headline:  “Sneiderman: Prosecutors want to enrage Neuman into testifying.”  In this part of the brief, Mrs. Sneiderman’s attorneys contended that prosecutors cooked up the love quadrangle story in order to taunt the jailed Neuman into spitefully appearing on the witness stand to incriminate Mrs. Sneiderman in the murder of her husband.

I stuck to the brief and skipped the outside expertise of Mr. Hodges.  My headline was catchy.  I’ll even go out on a limb and say it was a bit sensational.  I’m OK with that, because it accurately described new information contained in the story.  And my job, among other things, is to draw eyeballs to my TV station’s material.

The news business is often unscientific and, in terms of its decision-making, even a bit sloppy.  Yet the end results frequently make us appear to work in lockstep.

Except for when we don’t.

Soyanara, Monica

Mrs. LAF pretends to read the Monica Pearson insert in Wednesday’s AJC.

A worthy rival

departs with enough fanfare

to gag a maggot.

Valuable prizes at popular prices

Awards aren’t important.  Or at least, they aren’t important enough to justify the cost.  That’s the clear message sent by WAGA, which has stopped spending money on the Southeast Regional Emmy awards.

Doug’s trophy room

This year, WAGA had fewer Emmy nominations than any other station.  Employees at the station coughed up cash from their own pockets to earn ten nominations.  By comparison, WGCL had 13, WSB had 35 and WXIA had 47.  (You can count ‘em up yourself here.  If you do, you’ll probably get the same headache I got.  You may also get different numbers, due to my flawed ability to count.)

Traditionally, TV stations select a limited number of entries worthy of submission and pay the entry fees, roughly $90 a pop.  Individuals within those stations may choose to fork out their own cash to pay for entries they believe the station has overlooked.

Do the math, and the costs add up quickly.  Figure that for every nomination, two or three additional entries didn’t get nominated.  Add the expenses paid for Emmy statues (first one’s free, the rest have to be purchased.  So when five names are on the winning entry, four trophies get purchased at $260 or more each).  Add the cost of banquet tickets, another hundred bucks a pop.  Add spouses and other guests.

If your station is WSB, a station that — I’ll stick my neck out here — is rolling in dough, a few tens of thousands of dollars for Emmys is chump change.

But if your station is fighting to survive in the changing world of TV news, you ask yourself the question WAGA has asked:  Should I devote tens of thousands of dollars for awards?  Or do I use that money for a salary or new equipment or repairs on existing gear– the stuff that actually helps a station gather news?

Awards serve several purposes:  They make the recipients feel good about themselves.  They send a message that their employers value the extraordinary work they do.  And they give the station something to brag about, promotion-wise.  If you’re trying to draw viewers to your station, you want to have tangible evidence that your station is actually worth watching.  Awards can help do that.

If you draw more viewers to your station, your ratings go up.  You get more advertising money.  Then you can hire another assignment editor or photographer.  At least, that’s the theory.

But they’re not buying it at WAGA.  To its credit, WAGA has resisted the temptation to thin its I-team, or to make reporters shoot their own stories.  Those things cost money — money they aren’t spending on Emmys.

Funny thing, though.  Plenty of folks filled the void left by WAGA.  Among many noteworthy awards (here’s the list), category 43 “news excellence” resulted in a tie between WXIA and Noticias 34 Atlanta, the Spanish-speaking Univision station. Both stations somehow beat the aforementioned rolling-in-dough station.

I’m guessing the folks at Noticias 34 Atlanta considered the expense a worthwhile one.

Congratulations to everybody who won Emmys in 2012, including Monica Pearson! Justin Gray! Chris Clark! Aaron Diamant! John Kirtley! Russ Bowen! Michael Codgill! Tom Corvin!?! 

And pretty much every single one of my coworkers at WXIA!

My gaffe

At 6:02pm Friday, I found myself responsible for an on-air gaffe that had understandably outraged some viewers of WXIA-TV.  It was an embarrassing conclusion to a day that had been rough from the get-go.

Pastor Creflo Dollar

The story was about the arrest of Creflo Dollar, pastor of the World Changers megachurch.  The gaffe was that my story showed an image of Bishop Eddie Long when identifying Dollar at the top of the piece.  My mistake was failing to view the piece, which was edited by an experienced and trusted coworker, before it aired.

One cannot overstate the seriousness of the gaffe.  Both pastors, Dollar and Long, are prominent African American megachurch preachers in metro Atlanta.  Long was in the news for months for allegedly having intimate relations with young men at his church.  Long was never arrested, but the scandal rocked his church.  Dollar was arrested for a one-time domestic violence incident at his home, concluding a confrontation with his teenage daughter.

Transposing their images was unintentional yet unforgivable.  It feeds into longstanding racial distrust, and notions that white folks have trouble distinguishing black folks from one another.

At 11 am or so Friday, WSB-TV tweeted that Dollar had been arrested on the family violence charge.  Tom Jones broke the story.  I’ve become an admirer of Jones’ work over the last decade or so.  He’s been rattling cages in Clayton and Fayette Counties on a daily basis for years, and I’m not surprised he learned of Dollar’s arrest before anybody else. Jones works out of a live truck every day in an unglamorous but news-packed Atlanta suburb, and breaks stories in WSB’s A-block regularly.

(Jones is also a tough SOB.  Following his near-death experience in a live truck, he showed up for work the next day.)

Tom Jones, WSB

Jones and a photographer were there when Dollar exited the Fayette County jail.  The raw video shows Jones respectfully but persistently questioning a mostly silent Dollar as he walked from the jail entrance to a waiting Mercedes.  It was, to use an insider phrase when referring to competitive newsgathering, “a nice lick.”  Nobody else had it.

About ten years ago, I remember attending an Emmy awards ceremony.  I recall hearing a half-dozen or so Emmy winners thanking God and Pastor Creflo Dollar during their acceptance speeches.  Dollar has his share of admirers in the news media.

Following the WSB tweet, a coworker and I headed toward Fayette County.  “Would you know Creflo Dollar if he walked past you?” I asked him.  We both agreed neither of us would recognize him.  Later that day, I went to the World Changers web site and pulled some images of Dollar.  We had also pulled some file video of a story about a federal investigation into megachurches.  That video included combined images of Dollar and Bishop Long.  I’m pretty sure that piece of file video was the source of our mistake.

Bishop Eddie Long

I was standing in front of Dollar’s church, where  I introduced the pretaped piece we’d produced.  A few seconds after I tossed to the piece, a producer’s voice in my earpiece told me that we’d used the image of Long while referring to Dollar.  (I couldn’t see the piece during my live shot.)

Her voice had a tone of disappointment and disbelief, and I was stunned.  When I appeared again at the end of the piece, I said something like “the image at the top of the piece should have been an image of Pastor Dollar.”  I acknowledged the error but probably should have expressed regret for it.

It certainly would have been genuine.  It was a humbling day from the start, and I’d only made it worse.

It was my responsibility to ensure the accuracy of the story before it aired.  The error was offensive, and I’m very sorry I made it.

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